Beluga

This is a night when men run their fingersover tusk-like keys in hopes of unlocking a woman’s brassiere.There will be caviar,cocktails, and champagne.Someone will talk quietly of her winter in Moscow—too much vodka and Russian police.In another room,I’ll hold my breath while I’m dancing.

A Long Way from Mulch

Her naked foot rubs against
     the unborn blue of the mattress.
A tiny pair of socks airs out
     beneath the open-sky window.
Someone has gone running—
     but not very far, and not very hard.

The room might not be so big.
     They haven’t slept in it since
they hung his latest painting.
     It’s been too hot.
He could close the window, yes.
     But that wouldn’t keep
the dog from barking
     into all corners of the night.

It doesn’t matter,
     he doesn’t need sleep—
he is sure of it. Yet,
     he closes his eyes each night,
plays the game anyway;
     thinks invariably about
weather patterns, or
     his high school graduation.
Sometimes he just listens
     to what the house has to say.

Gasping, she awakes to the smell of him;
     rolls over and asks,
“What are you doing?”
     He stops breathing.
By morning she will have forgotten
     ever asking the question.

Back Taxes

The Germans appealed World War I,
  so I was sent to the trenches,
taking my grandfather’s place.
  For days I saw no one, except
an enormous storm of a man,
  who fought for neither side,
but drove a rusted combine,
  collecting back taxes like
golf balls at a driving range.
  As his squeaking tractor scoured
the trenches he demanded,
  “Back taxes, back taxes!”

If you didn’t duck he took up
  your scalp like a head of wheat,
so I dug down, looked after
  my tomatoes and corn.
Jets, too, roared overhead, but I guessed that
  out in the distance, somewhere
amongst the farmland of old,
  large general stores lay empty,
and the highways died silently,
  trafficked only by men with guns,
in haphazard uniforms,
  beating the pavement,
burning gasoline for their fires at night.

What We Call Ourselves

Poets can’t even call
themselves poets anymore.
There always has to be something else,
some other business.

Lines can’t be straight
anymore, they must
succumb to curve
like the snake’s back,
bending repeatedly
from one dune in
the desert to another.

There is no almost straight.

Almost straight is the
embankment, marking
the cliff, over which
our poems run,
tumbling drunk,
with the final drops of faith.