I gave praise to steel you confidence. You gave welcome to feel me love. Rooster sang crow to share us morning. Eugene broke fast so we'd build house. Water washed clean so we felt ourselves. Earth sprang mountain to keepsafe sun. Wood took flame so we'd have fire. Wind gave owl wing and we had night.
There is a lone goose on a vanishing dock. The lakewater is up. The floating dock’s platform is gone from sight but a railing moored to the dock is still above the surface, barely. Like the railing, the goose appears to be standing on water. As the dock dips further the goose has three options: sink, swim, or fly.
2.
Rattle across the water, washboard blues and white streak through the air. Look out minnows! It’s the kingfisher, flying from weeping willow to vanishing dock. It finds purchase on the railing, stuck there like a feathered magnet.
3.
Saturday morning, more rain overnight, the dock is further submerged but inches below the surface the platform still remains. The heron knew it was there, trust in its water landing. In the fog, the heron keeps watch o’er the lake.
The beginning of the end of The last history. This side Of a black hole, a big bang, the Epicenter, the mother lode, the lode star. A star that leads, especially the Polestar, the North Star of the Universe, What is always in the center, 'lode' meaning 'The way,' the journey, the journey star. From here to there, back from Where we used to exist, via intergalactic canal, Rowing upstream, rowing home, Going back in time, into the place we Go when we dream, time there Suspended, fact there garbled and twisted. It is all very real but also Very far away, as if It never even happened.
Moments preceding the Randall-Paz wedding, 6.1.2019
I.
Shoehorn, suspenders, aftershave Wedding in a warehouse Down Ashland in hermano's Honda Bumping past taquerías, Body shops and hair salons None of which Dad fails to point out.
II.
The candles yet unlit While the hail outside Sounds like the clink Of clean glasses At the levee bar. Early To a wedding, it's Never been done before.
III.
A pair of headphones In the street In the rain
But in the bridal suite DJ Flowerz is blooming Like green ivy Finding Foothold on the height Of an unknown building.
IV.
Both Of our parents Walk her down the aisle. They do, Making it official.
V.
She's walking away. He's dancing after her. No, Wait—she's still dancing. Soft, Sly steps. That's Her move.
VI.
The macarena: fadded Hated Brought back Tonight Hey, it's underrated Hey, macarena
VII.
Take a cab, take a Lyft, take the bus. You've taken the world And arranged the perfect salsa.
The late-nite Snack table Is now open. Congratulations. Thank you for everything.
I'm-a let The slickness Of the dance floor Show me which way Home.
Awake again at an off hour, at an odd hour, now for several days on end. Times like 3:13, 3:23, 3:34. Some combination of threes after bad dreams.
I'm not going to journal the dreams, it's stupid stuff, scare tactics drummed up by me, designed to rattle me the most. Strangers yelling through the window. Me fleeing to the attic above my attic.
My nerves seem to have risen with the humidity, with the overnight lows. They are rising with the river itself.
When it gets like this, the river cannot drain. It cannot get downstream fast enough. So it camps out in the yard or suns itself in the kitchen sink.
To settle myself I go to make a drink but when I reach into the freezer I find the river lurking there— vital cubes of dirty ice.
Oak tree at Lee-Vaughan Farm (photo courtesy Patrick Vaughan)
I know it knows we are here. As we talk about the wind it quiets off. It collects itself in the far corner of the field, takes a running start, launches at us again.
It seems to want something. I wonder if it takes as much pleasure in sending a tent flying as we take in seeing a tent on the move.
It translates a gunshot, it stokes the fire. It pries metal from the shed, it pulls the hat from your head.
It opens one door, slams another. It absconds with the coffee filters. It leaves dirt on the doorstep, it tries to speak in the trees.
It takes popcorn from the plate but doesn’t eat it. It takes twenty dollars from the ledge but doesn’t spend them. It loosens your hair in the air but it does not love you.
The wind is how hay stretches It is how rock changes color It is where the smoke goes
But at dusk the wind follows the light over the wide horizon. We unpack our things and lay them about like feathers.
As a fire burns we listen to a whip-poor-will sing into the still air of the night as it winnows its lonesome away.
Billy tending to a tent on the move (photo courtesy Patrick Vaughan)
I realized there was more to Missouri that summer, working in the middle of the state.
On Fridays I'd take Highway 50 from Jeff City to Union, through antique towns, past fields of hip-high grass that hushed wispy and soft, green-gold in June and July's late-setting light.
The spell would break hard when I hit the interstate, leaving only a fleeting afterimage as I braced for the reality of lane changes and going home, to my parents.
One August evening, somewhere west of Rosebud I drove past a field whose grass was freshly cut, left to hay in shaggy rolls, two dozen of them spread out like a herd of bison grazing quiet in a pasture holding nothing else but a single sun-soaked tree.
At its far end the field ran up against a treeline, giving rise to one of Missouri's unsung hills. Above the hill a hawk tracked higher on a thermal while cumulus and contrail slowly absorbed the colors of the sunset.
I was late getting home that night. When my parents asked me where I'd been I said nothing, only handed them this photograph.