Portland

I.  Sitting in His Apartment.  

I have my old things, my talismen, my curios and artifacts, croutons of life dropped along the way, telling my story.  Roy does, too.  I can spot them, uncoached, in this two-bedroom place of his and Joyce's in Portland, a.k.a. Fog City, Raintown, CoffeeShopLand.  Cronos the dog is eight.  He is mellow and sweet, curled up on his pillow, waiting for the others to rise. I was there on Shenandoah in St. Louis the first weekend Roy had gotten him.  I've always thought Cronos remembered that, held an affinity for me because of it.  Or maybe he's just a sweet happy dog who can love everyone without condition or reason.  

Roy's got a few of our paintings.  A blind portrait I did of him in November 2005 (I just checked to see if the date was on the back, otherwise I wouldn't've known it).  Then there's the collaboration he and I did in his Allen apartment, a painting we dubbed "C.E. Gogh," consisting first of a sketch he did of me, with us then painting in the room scene all around it.  In that painting is a table and one of a set of four orange chairs that Roy has had forever, and which are here, having meaning to me but appearing to be underemphasized...    

Full travelogue and more photos here...

New Orleans 2016

Wooden doors.  French doors.  Lockbar, cord sheath.  Dormers, slate roofs—lots of slate roofs.  Slate mulch for trees on Esplanade.  Fluorescent plastic straws, a few pennies.  Failed mortar.  Church bell. If I had started counting from the top I would know what time it was.  Gum wrappers, gum.  Cracks.  A red substance—wax?  Wrought iron.  Gas lamps, flickering flames.  Cool breeze.  The neck of a glass bottle.  Spigots lacking handles.  Woebegone cigars.  Sheathes now for the downspouts.  Tender aluminum?  Spit, phlegm, leaves.  Trumpet playing on Jackson Square.  Heels on these pavers, dog snuff, bags being rolled along their luggage wheels burning and turning.  Feathers, sparkles, glints, sequins.  Buttons.  Shadows.  This building I'm leaning on improved by the Works Progress Administration, 1935-1936.  Trumpeter playing and singing that Hank Williams song, "...down the bayou...," his singing not as good as his trumpet playing and I'm a little hung over, a little emotional, having a moment here, a future memory I think, tears caught on the inner face of my sunglasses.


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